DIGITAL TEXTURES
2023
Digital Design
Capturing El Hierro Island wild textures
Document the textures of the natural landscape in El Hierro using 3D scanning technology. The project explores the concept of decontextualization, where the user can analyze raw shapes without any preconceived notions or biases based on the context. The aim is to share the shapes and transmit some emotions without the physicality. Additionally, the project challenges the notion of preserving living organisms, structures, and sacred objects through photogrammetry and explores the potential benefits of promoting a sustainable relationship with nature by preserving these forms digitally.
— How do we perceive textures? and how can they be translated to digital?
— How does digitalization enhance our interaction with textures?
— Finding the limit of texture recognition without context.
The aim of this project is to digitally capture and preserve objects and textures from nature and replicate them in different media. In order to achieve this, the organic forms must be converted into a polygonal mesh, with the level of decimation determining the accuracy of preservation. However, a key question arises: to what extent does the decimation process compromise the authenticity of the organic shape? At what point does the structure become unrecognizable?
This project challenges the notion of preserving living organisms, structures, and sacred objects through photogrammetry, and explores the potential benefits of promoting a sustainable relationship with nature. By preserving these forms digitally, we can avoid causing physical damage to the real-world objects, while also fostering greater appreciation for their beauty and importance.
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2024 © Marc Parés
DIGITAL TEXTURES
2023
Digital Design
Capturing El Hierro Island wild textures
Document the textures of the natural landscape in El Hierro using 3D scanning technology. The project explores the concept of decontextualization, where the user can analyze raw shapes without any preconceived notions or biases based on the context. The aim is to share the shapes and transmit some emotions without the physicality. Additionally, the project challenges the notion of preserving living organisms, structures, and sacred objects through photogrammetry and explores the potential benefits of promoting a sustainable relationship with nature by preserving these forms digitally.
— How do we perceive textures? and how can they be translated to digital?
— How does digitalization enhance our interaction with textures?
— Finding the limit of texture recognition without context.
The aim of this project is to digitally capture and preserve objects and textures from nature and replicate them in different media. In order to achieve this, the organic forms must be converted into a polygonal mesh, with the level of decimation determining the accuracy of preservation. However, a key question arises: to what extent does the decimation process compromise the authenticity of the organic shape? At what point does the structure become unrecognizable?
This project challenges the notion of preserving living organisms, structures, and sacred objects through photogrammetry, and explores the potential benefits of promoting a sustainable relationship with nature. By preserving these forms digitally, we can avoid causing physical damage to the real-world objects, while also fostering greater appreciation for their beauty and importance.
Top ∧
2024 © Marc Parés